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- Wednesday 27th October: What audience engagement actually means
Wednesday 27th October: What audience engagement actually means
Good morning! Today's newsletter is brought to you by Esther.
Wait, wait. Look past the headline. This is actually a really, really interesting piece about how the LA Times is building out audience engagement, and making it everyone's job.
Samantha Melbourneweaver, assistant managing editor for audience for the publisher, drops some real pearls of wisdom in this interview, from her approach to engagement 'coaching' to optimising content for different platforms. My favourite quote - and the one that got me past the 'meme team' headline - is this one:
I think a big mistake that a lot of organizations make is thinking, “Oh, young people only want ~snackable~ content. They only want video.” As if there aren’t young people marching in the streets for social justice and climate change action... So how can we adjust our output but keep our expertise? And that’s what audience engagement people are here for.
More internal documents show how Facebook’s algorithm prioritised anger and posts that triggered it — www.niemanlab.org
One of the many Facebook bombshells which dropped this week has revealed that the platform changed their algorithm in 2017 to prioritise posts that elicited emoji reactions. The algorithm ranked reactions like 'angry', 'love' and 'wow' as five times more valuable than traditional 'likes' on the platform. Predictably, posts that sparked the 'angry' reaction were far more likely to include misinformation and toxicity, but also much more likely to be seen in people's feeds.
What do we mean by innovation? And why is implementing it so darned hard for news organisations? — whatsnewinpublishing.com
It is a truth universally acknowledged, that a media company in possession of a good fortune (an audience, brand recognition and decent revenues), must (still) be in want of innovation. But that word itself is enough to send plenty of eyes rolling. So what actually is innovation, and how can publishers overcome roadblocks to implement it?
October's question to Peter Houston comes from The Week Junior's Editorial Director Anna Bassi. Covermounts are a design and delivery nightmare, and come with huge environmental consequences. But how can some magazines like those in the craft sector give them up without losing sales? Here are some points to think about from both sides.
This week's podcast:
The Players’ Tribune Executive Editor Sean Conboy on tackling mental health in sports reporting — voices.media
This week we hear from Sean Conboy, Executive Editor at The Players’ Tribune; a sports-focused site that publishes first-person stories from professional athletes. He talks about the process they use to get content from elite athletes, and why the site doesn’t shy away from difficult stories and human rights issues, like the ones around the Qatar World Cup.
NDC Mediagroep's Ard Boer and United Robots' Cecilia Campbell on how robot journalism is powering the modern newsroom — voices.media
We've got a couple of really exciting Conversations episodes in the works. So if you haven't had chance to listen to our most recent one on how publishers are making use of robots in their work, here's a reminder!