Monday 21st February: What does 'objectivity' mean to the NYT?

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A few years ago I read Michael Frayn's Towards the End of the Morning, a novel about journalism set during the tail end of the Fleet Street heyday. It was like reading about the experiences of astronauts, totally alien from the realities of journalism in the 2010s. I get the same feeling of disconnection from this interview with Dean Baquet - not just because we come from radically different backgrounds, but because of how journalism has changed since he entered it.

Baquet's tenure as editor has been eventful, to say the least, and there's a lot to criticise about how the NYT has covered some of the most important stories of the past few years. But what's interesting is how Baquet believes 'objectivity' works (or doesn't) in reporting:

"I feel very strongly - and I know this is not embraced by everybody - that nobody is objective. The system of “objectivity” was designed to create a system - Wesley Lowery is right when he describes that - in which the organization’s job was to make sure that whatever your perspective was it didn’t get in the way of reporting the truth. That’s not the job of every institution. But the job of the New York Times should, in the end, be to come out with the best version of the truth, with your own political opinion held in check by editors and editing."

I cut a section on Spotify's internal strife from this week's podcast because at this point we take it for granted - but this from Business Insider takes a closer look at the minutiae of that strife. Who knew that the pivot to podcasting would be so difficult?

The Washington Post is about to unveil a Democracy Desk to report on the front lines of battles over voting, access to the polls, and the people caught up in these fights. Good, frankly! If newspapers don't defend democracy they'll be destroyed by whatever replaces it.

Fewer Americans are paying attention to national news now than at any time since early 2018. It would be hard to say without data whether this is replicated in the UK and across Europe, but it has a huge implication for how newspapers market themselves in the face of news avoidance or indifference.

This week's podcast:

This week we hear from Abbianca Makoni, a 22-year old journalist who, after completing a four-year apprenticeship at the the Evening Standard, decided to go it alone with own online publication Awallprintss, which shares the voices and stories of under-reported communities around the world.

"So much nicer that the stuffing penguin-suits-round-a-table boredom-fests that normally afflict us," wrote one attendee of 2020's event. Come and join us for a definitely not-boring evening celebrating the best in publisher podcasting.